JAMES AND KARLA MURRAY PHOTOGRAPHY

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Sunday, April 12, 2009

STORE FRONT: The Disappearing Face Of New York in The Sunday New York Post

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REQUIRED READING
By BILLY HELLER
April 12, 2009
Store Front
The Disappearing Face of New York
by James T. and Karla L. Murray (Gingko)

The married New York photographers spent eight years documenting the disappearing storefronts of mom-and-pop establishments in the five boroughs. Although the signs of the aging stores may be rusting, plastic letters cracked, paint fading, the Murrays’ work is incredibly vibrant in the 13-by-12-inch, 336-page book — clearly a labor of love for which they used their “trusty old 35mm Canon.” The Murrays tell us people on the streets “wonder what we’re taking a picture of and when we explain to them, they are shocked because they never noticed the beauty of the old storefront and just passed it by every day.”

http://www.nypost.com/seven/04122009/postopinion/postopbooks/required_reading_164092.htm

posted by jimkarla at 11:24 am  

Sunday, April 12, 2009

MIAMI GRAFFITI on ARTCRIMES

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[This book is very well done, as the Murrays’ first book was. Inside the practical flexible covers are production after production (almost half of which are nonpermission works trackside or inside the abandoned buildings known as “penits” in Miami), with artists’ statements about their influences and work. This is not a typical photographer’s graffiti photo book, but instead it’s a local scene lovingly documented in collaboration with the Miami writing community. This book is good for schools, good for libraries, and good for historians and collectors. - Susan]

http://www.graffiti.org/index/ongoing.html

posted by jimkarla at 9:45 am  

Saturday, April 11, 2009

MIAMI GRAFFITI on AMOEBLOG (written by DJ Billy Jam)

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MIAMI GRAFFITI THROUGH THE LENSES OF JAMES & KARLA MURRAY

MIAMI’S VIBRANT YET OFT OVERLOOKED GRAFFITI SCENE HIGHLIGHTED IN NEW BOOK

Photo-journalists/authors James and Karla Murray’s last two graffiti books (Broken Windows and Burning New York) as well as their very recently published Store Front: The Disappearing Face of New York (all three published by Gingko Press) all covered the territory of the five boroughs of New York City.

But for their latest graffiti book, published this week by Prestel, they traveled to Miami, Florida to capture the 200 + vibrant images for this recommended contemporary art coffee table book.

Simply titled Miami Graffiti, it is an amazing collection that captures the vibrant and stylistically diverse graffiti and murals of Miami, a city that for some reason tends to be overlooked somewhat when it comes to its street art scene. In fact, this is the first book to focus soley on Miami graf. Flipping through the pages upon pages of perfectly shot, bright, colorful panoramic shots, it’s immediately evident that the husband and wife team of James and Karla Murray have both a real passion and a true gift for what they do.

For this Amoeblog I invited the photo authors, who I will interview in a few weeks on the New York graf scene, to supply the Amoeblog with some high resolution jpegs of Miami Graffiti from pages I randomly picked, based on my own taste and the variety of styles displayed. I also asked them to say a few words on each shot and the subject captured. Their words are below, with the page of the book each image appears on as well. Click here:

http://www.amoeba.com/blog/2009/04/jamoeblog/miami-graffiti-through-the-lenses-of-james-karla-murray.html

posted by jimkarla at 1:52 pm  

Friday, April 10, 2009

STORE FRONT: The Disappearing Face Of New York on GOOD MORNING JAPAN Live

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1.Miss Yumiko Udo of Ohayo Nipon

2. Jimmy Leary, owner Jimmy’s Stationery and Toys, and his daughter with STORE FRONT: The Disapppearing Face Of New York ( Jimmy for letting NHK film from your store…)

3. Miss Yumiko Udo with Hatsumi Asaka: STORE FRONT: The Disappearing Face Of New York on GOOD MORNING JAPAN Live (NHK)

4. Jimmy Leary 5. Bed Stuy to Tokyo

posted by jimkarla at 11:29 am  

Wednesday, April 8, 2009

Storefront: The Disappearing Face of New York: Amazon.de: Englische Bücher Sales Rank #6

After 4 of those TWILIGHT Vampire Novels and one other…

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posted by jimkarla at 4:54 pm  

Tuesday, April 7, 2009

STORE FRONT:The Disappearing Face Of New York in Der SPIEGEL

http://einestages.spiegel.de/static/topicalbumbackground/3844/ladenschluss_fuer_immer.html
Showdown für die schönsten aller Shops

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Storefront – Spiegel Review 8 April 2009

They were the heart and soul of New York City – now it’s closing time forever. In New York, traditional retailers are falling victim to the financial crisis, by the dozen. An enchanting new book of photographs illustrates the history and downfall of these stores, places where each and every shop window was a work of art. By Marc Pitzke, New York.
14th Street was once a prime showpiece. It cuts through the center of Manhattan, separates Greenwich Village from Chelsea in the west, and the East Village from Gramercy in the east. But for some time now this retail street has been deteriorating into a dreary trash alley – a cheap oasis in the heart of a former Bohemian quarter where the cost of the rent has long been unaffordable for the artists and immigrants who once lived here.
It is more wretched now than it has been for a very long time. Walk along 14th Street today and in some parts you have the feeling that you are in a slum, even though only a few steps further along new luxury apartment blocks glitter. Countless stores lie vacant, boarded, barred and plastered with graffiti and posters. The majority of the family businesses have disappeared, the remaining awnings in tatters or stripped back to the crumbling framework. All that remains are franchise chains and fast food shacks: Dunkin’ Donuts, Subway, Starbucks.
“Nimbal DVD Paradise” was once a bargain store for imported films, but it no longer exists. Nor does “Dapper Dan”, the smart guy with his retro gentlemen’s suits: instead, tradesmen sit inside the store and there’s a “For rent” sign in the shop window. Across the street, the clothes shop is emptying the last of its shelves, “all shoes $5”. Next door, complete sets of bed linen are piled up on the pavement and watched over by a grim looking African American, the price tag is $5.99 each. “BIG DEAL$” says the garish sign above the door. “Store Closing”.
A city loses its face
The closing down sale of a street: more and more of the old, established retail businesses have been forced to shut up shop, victims of the economic crisis. On 14th Street this is blatantly obvious, but it’s not only here and in the various corners of Manhattan that a similar, silent drama is being played out, it’s all over New York: Lower East Side, Chinatown, Little Italy, Hell’s Kitchen, Harlem, in Brooklyn, Queens, the Bronx and even Staten Island.

A city is losing its face. “The list just gets longer and longer,” said Photographer James Murray when he spoke to SPIEGEL ONLINE about the dramatic disappearance of the old style retailers. Murray, himself, lives at the east end of 14th Street and together with his wife, Karla, has photographed this transformation as it happened. “It is extremely sad.”
The Murrays started to document the dying out of the ‘store fronts’ ten years ago. This month their work has been published in a unique book that has suddenly become more relevant and meaningful than intended – an obituary of a New York that is being irretrievably destroyed.
60 years of making salami
At the beginning, it was the usual problems that occupied the storeowners: rising rents, local bureaucracy, family succession, demographic change. In the meantime, however, the crisis has well and truly ensnared both them and their customers: credit has become unobtainable, people aren’t shopping – and if they are it’s only in the big chain stores. This recession has hit small retail businesses the hardest.
These small ‘mom and pop stores’ though, (the equivalent of Germany’s Aunt Emma stores), are precisely what differentiate New York’s street and cityscape – they are the genuine soul of this metropolis. Often overlooked by tourists craning their necks to see the skyscrapers, these small family businesses have shaped the lives of the locals for decades.
Katz’s Delicatessen, one of the city’s most famous food stores, has been in existence since 1888, looks the same today as it did 60 years ago and created its advertising slogan during the Second World War (“Send a salami to your boy in the army”).  Since 1903, “Lichtenstein & Co.” has sold sewing and tailors’ wares on Delancey Street. The zinc façade of “Emey’s Bike Shop” on 17th Street dates back to 1900.
Service, even on public holidays
Many are anchorages for migrants, places where they can speak and hear their mother tongue and procure goods and food stuffs from the homeland, ‘ethnic’ items that can’t be found at the large, nondescript department stores. “When these stores have gone,” write the Murrays, who interviewed numerous proprietors and managers for their book, “the entire  neighborhood will be under threat.”
The “Yonah Schimmel Knish Bakery” has been baking pastries using an old Romanian “Knish” recipe since 1910 – these pastries are virtually impossible to get anywhere else. “Russ & Daughters”, whose specialty is kosher dairy products, opened at the same address in 1914 – today it is the last business of its kind on the Lower East Side. “C. DiPalo’s Latteria” in Little Italy has been hand-making mozzarella seven days a week since 1925.
“We do just about everything to serve our wares to our customers,” says Brian Schames, who, as the fourth generation of a Russian immigrant family, manages the paint shop “M.Schames & Son” on the Lower East Side. And he is very serious about this claim: the Schameses personally deliver cans of paint to the customer’s house whenever the customer wants it, be that weekends, evenings or public holidays.
The first cappuccino in the USA
The legends that are attached to these stores are as much a part of New York’s history as Union Square, Greenmarket or the Staten Island Ferry. Next door to “Jimmy’s Stationery  & Toys” in Brooklyn the teddy bear was invented, and it was named with the blessing of President Teddy Roosevelt. The USA’s first cappuccino was made at “Café Reggio” in the Village, which opened in 1927.
But the decline was underway before the recession started. The rise in property values in these quarters drove many away. Modern residential blocks, sporting halls, sun studios and office towers have taken their places. Only those who owned the buildings they occupied did not have to fear being driven out, such as the well known “Strand” bookstore on Broadway.
Others fell victim to small print. New hygiene regulations banned the hanging of smoked ham in shop windows and this spelled the end for “E. Kurowycky & Sons Meat Market” in the East Village, as well as many other small butcheries. And, for quite some time now the city authorities have refused to renew permits for old Neon signs – signs that cannot be replaced in any case because they are no longer produced. The optical trademarks of many stores are disappearing before our eyes.
The end, after 83 years
After 83 years in business “Gertel’s” bakery closed in 2007. The “2nd Avenue Deli”, which opened in 1954, survived the murder of its founder, Abe Lebewohl, but not the latest rent increase in 2006. It made a comeback in 2007 and is now located in Midtown East on 33rd Street, a displaced curiosity. The legendary Times Square restaurant “Howard Johnson’s” fell victim to a rent increase in 2005.
For the Murrays, who chose to work with a 35 mm film camera, it was a challenge to keep up with the destruction of the rough patina of store windows and facades. Almost a third of the businesses they photographed disappeared before they had written the foreword to their book. “In the meantime it’s almost half,” says James Murray. “The appearance and atmosphere of whole neighbourhoods have changed, as well as their individuality and charm.”
Those who have fallen victim since Storefront published include the fifties coffee shop “Ideal Dinettes”, the “C&N Everything Store” in the Bronx (1956), the “P&G Café” on the Upper West Side (opened 1933), and the butchery “B&B Meat Products” in Brooklyn, where on display in the shop window there was a plastic pig dressed as a cowboy.
Nevertheless, photographic pair, James and Karla Murray, refuse to lament the situation. “Instead of seeing the glass as half empty,” says James, “we try to see it half full.” With their book they want to open peoples’ eyes to what is being lost in these quarters, “…and encourage them to support the stores, perhaps even help save them.”
For the “Rite Aid Pharmacy” on Seventh Avenue, however, it’s already too late: even though it belongs to a large concern this branch was always run like a neighborhood store, a store where pharmaceuticals and toiletries were cheaper and the service more personal than across the street at the soulless, chain store pharmacy “Duane Reade”. For two years now “Rite Aid” has been losing money, and as the products are emptied from the shelves they are no longer being replaced. Outside, above the broken Neon sign, hangs the same sign as everywhere else in this quarter: “Top retail space to rent.”

posted by jimkarla at 2:52 pm  

Tuesday, April 7, 2009

Miami Graffiti: The Book vs FORMAT

http://www.formatmag.com/news/miami-graffiti-by-james-and-karla-murray/

Miami Graffiti by James and Karla Murray
Apr 7, 2009 –   – by Mark Teo
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Miami might not be well known – yet – for some of their graffiti artists, but photographer James and Karla Murray are set to change that. They’ve assembled a book called Miami Graffiti through Prestel USA, a vibrant exploration of some of the city’s best writers. They’ve put together quotes and insights from mainstays such as Crome, Quake, and Siner, and they’ve explored abandoned buildings, museums where crews practise their craft, and the public canvas of the city. With over two hundred images, these artists are doing a hell of a lot to change the public image of the city. This drops immediately, so head on over to your local bookstore to order a copy!

posted by jimkarla at 2:48 pm  

Monday, April 6, 2009

Miami Graffiti: The Book on C-MONSTER.net

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All things C-MONSTER( fantastic art blog) :  http://c-monster.net/blog1/2009/04/06/what-im-reading-8/

 

What I’m reading.

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Flo Joe at Miami’s Marine Stadium. (All images courtesy of James and Karla Murray.) 

By now, graffiti in cities like New York and L.A. and London and Berlin has been copiously docu

mented. Which is why it was such a treat to pick up James and Karla Murray’s Miami Graffiti, which offers a broad survey of what’s been going down on that narrow strip of concrete that sits at the edge of the Everglades. Miami’s intense sunlight and weather seem to inspire a hyper-bright tropical color palette among its artists, and the Murrays do a good job of documenting it. The book covers everything from legal walls to abandoned industrial sites to transportation overpasses.

My favorite shots, however, are the ones that incorporate a broad view of the architecture, and truly reflect the ways in which graffiti artists play off of specific structural environments. The image of the giant tag by Flo Joe, at Miami’s stunning Marine Stadium (above), an abandoned Modernist boat racing viewing stand built in 1963, is a prime example.

The Murrays have been assiduously documenting graffiti since the ’90s and have thousands of images from New York, Miami and beyond, which have been published in various tomes. I’d like to suggest the topic of their next book: one that focuses exclusively on the way that graffiti interacts with architecture. I’ll be the first geek in line to buy it.

Miami Graffiti hits bookstores this month.


Junk and Rekal, at an old industrial site in Miami.

posted by jimkarla at 5:08 pm  

Saturday, April 4, 2009

STORE FRONT: The Disappearing Face of New York in The New York Times Sunday Book Review

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By STEVEN HELLER
Published: April 2, 2009

I own a fairly large vintage sign that sits imposingly on my living room floor. It once hung outside a place called Velulich’s Bakery, somewhere in New Jersey, and is typical of the painted metal displays of the 1930s, with Art Deco contours and neon illumination. It’s as beautiful as the hand-painted shoe-repair sign I keep in my bedroom. Both are artifacts of consumer culture before commercial branding and environmental signage (as signs are now called) became so self-conscious — when sign painters plied their craft without pretense. A store sign had to be bold, eye-catching and immediately recognizable, so that customers would understand the purpose of the establishment. Clever names designed to tickle the imagination would not do. What you saw was what you got: Bakery, Drugstore, Smoke Shop, Meat Market, Liquors, Dry Cleaners. Examples of these signs are, of course, still found on old buildings all over New York City, but are gradually beingreplaced by more contemporary designs and L.E.D. screens.
For those who think modernization is always a virtue, the demise of these relics may be a good thing. For me, it marks the end of an era of sign painting and storefront innocence. Which is why my eyes widened when I saw James T. Murray and Karla L. Murray’s oversize (11 3/4 by 13 1/4 inches) coffee-table book, STORE FRONT: The Disappearing Face of New York (Gingko, $65). The Murrays, authors of two books on graffiti art, “Broken Windows” and “Burning New York,” have been photographing storefronts for more than eight years, and in this book they employ large-scale horizontal pages (and a few gatefolds) as they track their odyssey from the Lower East Side to Harlem to the Bronx, from Brooklyn to Queens to Staten Island. If you’re at all interested in the passing cityscape, this book is a documentary mother lode; if you’re happy to see these joints disappear, it might at least kindle appreciation for them.
The Murrays’ photographs, however, do not romanticize these not very picturesque locales. The images are bright and crisp, though most of what the authors photographed was dingy and covered with graffiti; quite a few fronts and signs were falling apart or grungy to begin with. Yet it is in this state of decay that the stores hold a curious fascination — indeed, a raw beauty — for anyone concerned with vernacular design. I was particularly taken with the Lower East Side remnants that are slowly being squeezed out by hip restaurants and shops. Zelig Blumenthal’s religious articles store, on Essex Street, appears not to have changed since my grandparents lived nearby. The Hebrew lettering on the window is as clean as it was back then. Meanwhile, at Rabbi M. Eisenbach’s shop, the painted signs seem to be fading. Beny’s Authorized Sales and Service, which sells “fine jewelry, electric shavers, lighters, pens,” is not just a throwback; it also exhibits a totally alien aesthetic compared with that of most stores today.
“Store Front” is not mired in nostalgia. Take the photograph of the (now closed ) Jade Mountain Restaurant, on Second Avenue near 12th Street, where I ate cheap Chinese food as a teenager. It is not a storefront I get misty-eyed seeing again; even the so-called chop-suey-style sign lettering does not make me long for what’s lost. But it’s part of a larger mosaic that was (and is) New York’s retail consumer culture.
The book is also a study of urban migration, featuring Jewish delis and Italian “latticini freschi” stores downtown, Hispanic bodegas and Irish bars uptown, and a white-bread Howard Johnson’s in Midtown (now gone). There are also photos of single blocks, with various contrasting storefronts tightly packed next to one another, that resemble a third-world market. Downtown is much more alluring than uptown — but maybe that’s because I was raised downtown.

posted by jimkarla at 8:03 am  

Friday, April 3, 2009

New at JamesandKarlaMurray.com: Pinkergreen blog: Store Front: The Disappearing Face of NY

Thanks pinkergreen!
http://blog.pinkergreen.com/2009/03/store-front-disappearing-face-of-ny.html
James and Karla Murray’s new Book– Store Front: The Disappearing Face of NY– captures the charm of an era gone by. (My mother calls it the flava.) NY Magazine reports that a third of the businesses that are featured in the book have closed since the Murrays began the project eight years ago. Granted, most of these could use a face lift… a fresh coat of paint at the very least. Sometimes it’s those quirky details that make you stop and notice. I just wish more people would maintain their vintage signs. We’ve heard from a couple of businesses that the upkeep and electrical bills on those older signs is crazy money. Too bad, because they’re just so cool.
These small businesses are what make a neighborhood feel like a neighborhood. A great example of the difference when chains take over is Kenmore Sq. here in Boston. I’m not going to deny it, Kenmore was a hole. But it was a hole with character. Great record stores, dive bars, great fro-yo. Big names moved in. Now, it feels like Disneyland. Where’s the flava?
by Melissa

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posted by jimkarla at 12:36 pm  
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